More slow-moving chameleon action...(another bas relief plaque in the works)

Hot on the heels of my first chameleon bas relief plaque comes....
 .......ta daaa.........
....another chameleon bas relief plaque!

They aren't cast in bronze yet, but  have been molded and I have a couple of plaster casts to keep me going while the whole bronze casting machinery slowly grinds into motion.

Bronze pics coming soon...

Just like watching a chameleon in 'action', bronze casting is not a particularly speedy process.

Here's a couple of  'in progress' pics...

Meanwhile, at a top secret mouse breeding facility hidden deep inside the German countryside...

'Rein und raus' squeaks each tiny mouse (in perfectly synchronized unison of course).

Actually they aren't really in Germany, the pic just conjured up thoughts of German efficiency for some reason!

They are waxes awaiting investment and casting and metal chasing and finally then to receive their patinas.

Available for pre-order through my Kickstarter project (until Feb 26 2011) at a sizable discount before they hit the galleries...click HERE to learn more.

Meanwhile, since TX Cupcake never appeared to collect their prize,  tip top painter and next closest guesser (as per the rules) in my contest, Deborah Paris got her Nosey in the mail yesterday.

She's made painting her immediate surroundings her mission and her sensitive paintings on her blog are a must see...

Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille

My new butterfly salad toad sculpture is finished.

I suppose a butterfly is the equivalent of a cobb salad if you're a toad.
Meaty bit and flimsy bits all on the same plate.

Since my earlier post showing the original sculpture in April, Lee Wilson has made a mold of it, waxes have been pulled from the mold and been cast in bronze, metal work has been done, and then a traditional patina applied in the usual way (heat, spray on chemicals, and brush on paste wax while it's still hot).

Lee tried a little experiment during the molding process. The normal method for hollow sculpture is to paint hot liquid wax into the mold one layer at a time. But since he got his new toy, a wax injector (for doing smaller, solid pieces) he thought he'd try and fit a second mold portion from beneath so he could squirt wax in under pressure and make the wax in a minute instead of half an hour.
After experimenting with different temperatures and adjusting the second part of the mold, he decided he couldn't do it (the waxes were coming out with missing bits), so it was back to doing it the old fashioned way.
No harm in trying though. Here's the freshly cast bronze before metalwork and patina.And below it's finished and sitting next to a can for scale.
My website, and Etsy store.

Next steps in bringing my tiny elephant sculpture to bronze...

Here we are again, with my teeny tiny version of 'Senior moment'.
In the last installment I demonstrated how I made the original in a wax based clay.
So how do we turn one finished sculpture into a bunch of wax replicas ready for the foundry to then turn them into bronze?
My buddy Lee Wilson got busy making a mold. He's molded everything from the almost microscopic to bigger than a horse (see behind?). Nothing fazes Lee!
Here he is holding a work in progress on my miniature elephant...
The silicone rubber master mold is floppy (that's the yellow stuff), and needs a hard mother mold which can be screwed tightly around it to hold it in place (that's the white stuff).
I wonder is mold language developed similar to tool language, what with their male and female parts and all?With all the silicone rubber 'chew toys' laying about I was surprised and a bit nervous to discover from experience that mold makers seem to like to have a dog or two about the place. Must be the loneliness of the job.
Anyhow, Lee's are extremely well trained and only once got interested in sniffing the rubber when he was molding some cow bones for someone!
One rebuke put an end to that and they have NEVER messed with his handiwork, so I'm confident leaving my molds over at his place for extended periods.
So here he is tightening the bolts to keep the whole thing snugly together (you'll see why next)...
This is Lee's new toy! It's a wax injector. So for smaller stuff he can squirt wax into the mold under pressure (which will squirt out all over the place if the mold isn't securely held tight). It's quicker and more effective than painting the wax into the mold by hand on small things like this.

He experimented a bit to get the wax temperature and pressure optimal for various sized pieces. He mixed some pigment in with a blue green wax to make it a nice natural clay color. That way it's easier to see if any seam lines need cleaning up than if the wax is a day-glo color (plenty of waxes are very strange colors). You can see a few of my turtles, toads and rabbits floating about on the table too.
That metal plate with a hole in it is what he holds over the bottom of the mold when he squirts the wax in. Then it's left to cool for 20 or 30 minutes.
If the mold only has a narrow opening, he'll just use a washer.
Alright, let's pop that thing open and see what we've got!
Off comes the mother mold...
Wait for it...
Ta-daaaa!!!!
And Lee has given birth to yet another teeny tiny wax elephant. Didn't hurt did it?
Family photo below.
Strange gene pool I'd say.If I can get the foundry to take some pics of sprueing up the waxes, investing and breaking them open I'll add them to a future post, then finish up with metal chasing (should hardly be any except grinding the bottoms), and patina which I will do myself.

My website here

'Bumper to bumper' turtle sculpture-work in progress 2

I got my waxes back from the foundry and with the cunning use of a griddle (in background of photo) to melt down my critters, and some clay to work on new necks, legs, tweak heads etc, I'll have a nice crew of semi submerged turtles to take back again.
Here it is a bit further along (notice the front one has no legs yet).

Once finished and at the foundry they'll each be molded, from which new waxes will be pulled to be invested in ceramic shell, and then the waxes will be replaced with bronze.
If the foundry takes any pics of the progress I'll post 'em right here.
More critters at SteveWorthingtonArt.com