Saturday, December 25, 2010

Turtle maneuvers, and rock hard headaches...solving my granite drilling and bronze mounting problems

These guys are heading off somewhere with a united purpose in their semi aquatic minds...


Drilling holes in the granite bases and screwing in the semi submerged turtles for Bumper to Bumper was giving me some major headaches.
Some turtles were drilled and tapped with a smaller size hole for 10/24 screws, while the others were larger for quarter twenty screws. I got different turtles cast and metal worked at different times, which explains that.

Keeping organized was a lifesaver, with each base numbered, and each turtle marked on its underside according to which base it went on and it's position in the lineup.

Getting the hole locations marked was easy enough. After smearing some release agent with a Q-tip around each hole on the undersides of the turtles (thanks for that, Lee) I pushed a flattened pea sized ball of soft waxy clay over the hole, positioned all the turtles on the base and then removed them.
Voila!
Six little flattened bits of clay with short stalks corresponding to the holes under the turtles were stuck nicely to the granite.

Then I just lowered the right sized diamond core drill bit into place, clamped the granite, surrounded the area with a dam of clay, filled the dam with water, removed the tiny blob of clay I was aiming the drill at, and slowly and carefully drilled through the rock on the slowest speed my drill would go.
I've mentioned before how much I love that rubbery stuff on rolls you can buy for your cutlery drawer from the supermarket.
I find it great anytime I need some grippy friction and cushioning, so it was great under the granite to help hold it steady.
I took my time and lifted up the drill several times so as not to overheat the granite since that might cause it to crack.
When the drill went right through the water drained out into a bowl underneath and I repeated the process until done.
I used a chinagraph pencil to remind me which were the quarter twenty holes on the granite (so I didn't drill the 10/24 ones with the same bit)
My legal disclaimer goes here...water and electrical appliances don't mix. So of course I'm not suggesting you do what I did, I'm just saying it's what I did. Check with the manufacturer of your drill press to find out what you should do, and of course wear safety goggles.
And a snorkel too, if you like.
Oh, and super hot bits of rock could shatter and fly off and do you or others all kinds of damage.
So wear all the appropriate safety gear and keep kids/pets etc away.

I used a half inch glass and tile bit (looks like a spear) to widen the holes and act as a countersink on the back side while spritzing the bit with water to keep the granite dust from rising, and to keep the drill and granite cool.
So, to continue my legal disclaimer, don't drill anything without using a proper air filter on your face or the dust might kill you. Only work in well ventilated areas. And get the proper supervision.
And don't get water on electrical equipment. That's just asking for trouble.
So the procedures I've taken and am describing here are not meant as advice. They are for your entertainment so you can marvel at how I have somehow survived such reckless behavior. (so far, anyway). So view this not as a 'how to' post, but as a 'how NOT to' post.

Best to simply hire a pro.

So later I used a nylon washer with each screw. The washer is essential otherwise the screw gets jammed in the hole, while the nylon washer can become crushed into the hole and provide some compression for the ever tightening screw.

That worked wonders for the smaller 10/24 screws, but the larger quarter twenties didn't have the wiggle room and got jammed up inside the narrow 1/2" wide steep sided hole.

A 5/8 or 3/4 masonry bit turned out to be the answer to that problem.
Masonry bit

Depending on how deep you make the countersink, and how many nylon washers you use, and how long your screw is, and how thick your granite is, you can get it to work out every time.

Before I got the masonry bit to use as a countersink I spent a whole evening messing about trying (unsuccessfully) just to get a couple or three turtles screwed into place that were needing quarter twenty screws. It was a frustrating nightmare.
But when I got better tools to do the job, it was a breeze in comparison.

For quarter twenty screws I'll use a 5/16" diamond core bit, and a 5/8" masonry bit for the countersink, with 1/2" screws and one or two nylon washers in each for granite 3/8" thick.

For 10/24 screws I used 1/4" diamond core bit, and the 1/2" glass and tile bit that looks like a spear.
I'm sure a 1/2" masonry bit would work great for that too.
After some clean up, felt dots go on the bottom of the granite to keep it from scratching the furniture, unless you're really determined of course.
Where there's a will there's a way.

Oh, I almost forgot, Merry Christmas!



Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille

Saturday, December 18, 2010

Through a glass darkly...here's a spooky looking scene...




Cut up bits and pieces embedded in mold material, waiting to be cut out so waxes can be made.

You might recognize the snail from one of my shoe horns, and of course a tree frog which I'm making as a stand alone wall mounted frog.

That isn't Rumplestiltskin in the background spinning straw into gold, it's Lee flattening the bottoms of my Bumper to Bumper mid size turtles.
Somehow he manages to keep his fingers off that fast spinning abrasive disk (I'm very glad to say).


Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille

Saturday, December 11, 2010

Season's Greetings from my politically correct singing mice!

They may look to be singing in perfect harmony, but these politically correct mice are all squeaking different songs celebrating different things in different languages at the same time.
It's a cacophony that looks way better than it sounds!
Mice at least can't sing very loud!

After they finished they all rushed off as a man (or a mouse) to share a tangy meal in the garbage can, followed by a nice communal snooze.
 



Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille

Friday, December 3, 2010

You can't beat a good story...

John Buscema preferred Harold Von Schmidt to Frederick Remington.
That's what he said in an old interview I was reading in the summer.
Well in that case I figured I'd better get familiar with Harold Von Schmidt (since John Buscema is one of my all time favorite draughtsmen and visual storytellers - I've collected bunches of his work over the years).

So I found a book online ('Harold Von Schmidt Draws and Paints the Old West' by Walt Reed, published by Northland Press) and ordered it, then took off for Loveland's Sculpture in the Park show, via Vail (to drop off some bronzes for Cogswell Gallery and make their acquaintance in person ) this past summer.

While in Vail Meridee and I visited Claggett Rey gallery since we knew there'd likely be loads of great stuff in there.
I was bowled over by this huge painting of a bull making a break for it that was full of drama.

Turns out it was by... Harold Von Schmidt!


Now I was seriously anxious to get my hands on that book!

The above reproduction of that painting is from the book...

And here it is again, with Harold sitting in front of it!


The book is just a gold mine of great stuff, and I also learned the bull wasn't making a break for it, but because it is white it is being driven from the herd to prevent contamination and preserve the pure bred blood lines.

Great illustration is great art, of that there is no doubt in my mind. And what I love about great illustration is how it draws you in.

 I didn't need to read anything to know these two were contemplating settling in the valley below them.

Personally, what first attracts me is usually skillful execution, deep anatomical knowledge and the compositional sensibilities of an inspired and accomplished artist, and then I might find myself completely sucked into the story they're telling...
...you can't help pondering those lives,  what led them to that point, and wondering what might have come next...like this guy...did he make it?




Harold says in the book that one of his jobs as an illustrator is to sell the story, and make sure you go on from looking at the picture to at least read the first line of copy.

One of things I love about the silhouette below is how much Harold uses the viewer's brain to fill in the blanks. There's just enough there to clue you in, but your mind 'sees' everything it needs to to complete the picture.




Being a  storyboard artist myself I guess I'm just a sucker for a good story that's beautifully told.


Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille