Peter Wright's batcave and the art of crating bronze sculptures.

Recently I paid another visit to Peter Wright's batcave.
He's the man who offered to take on the risk of casting some of my larger pieces in exchange for half of what's left when they find homes after the gallery cut and casting costs are subtracted.
For which I am, of course, extremely grateful.
He's also a fine glass artist in his own right (no pun intended!). I love the colors he uses in his pieces. For me they are quite exquisite. (click HERE to see his work).

And he has a secret bat-cave, which is where you're seeing him here!

That big crate has got my Sumo Wrestling Toads in it.
I've never seen Peter in a cape, but he can appear and disappear very quickly, and he's always talking by phone from some far flung part of the country or other, so I keep wondering just how he does it...

We're sending Sumo Toads to the Natural History Museum in San Diego (for the Society of Animal Artists 50th annual show) and another pair to Grand Rapids, Michigan (for ArtPrize), along with Big Boy, and some other toads.

The Sumo's are crated, with cross bars inside to keep them from wobbling around. Some kind of plasticky rigid foam is glued to the crates, and the cross bars, and other sheets of it are wedged in here and there.
Everything is marked and coded with numbers and letters so anyone who un-packs it, can later re-pack it exactly the same. The cross bars are screwed in from the outside of the crate.

Big Boy is put in a double thickness corrugated cardboard box, with slabs of softer foam that's more squashy. Each is numbered with a hole in it, so when they're all stacked together horizontally Big Boy nestles cocooned inside his new world of soft foam.
Super thick heavy rope handles round out the procedure.
This is how Peter sends his glass as well. It would take a pretty determined person with a fork-lift to do any damage to it (oh no, I haven't just jinxed it have I?).
Of course everything's also insured, just in case...

My Bumper to Bumper is part of the National Sculpture Society's 77th annual exhibition in Brookgreen Gardens, SC.
Since the base is granite great care is needed for the packing process.
The wooden crate has a foam lining, and sides which slot into place allowing no movement.

The foam top locks it all into place, and the lid is screwed on.

Again, everything is very carefully marked and coded so anyone can re-pack it correctly later.

Besides that, here's a table full of recently patinated bits and pieces which will all hopefully be enjoying life in their new homes very soon (if they aren't already!). Looks like it's almost time for a new tin of paste wax (for brushing on the bronzes while they're freshly hot from the patina process).

As you can see I indulged in a little beer towel thievery during my student years. How could I resist, after all, it had my name written all over it!
I think this one came from my local in Portreath, Cornwall at the time, the Waterfront Inn.

Oh, and don't forget of course, the end of this month is the DEADLINE for entering my latest win-a-mouse contest (click HERE).

Click these links to visit my website... SteveWorthingtonArt.com - Sculpture that loves you back
or my Etsy store, CritterVille